“Seeing this work again, eight years after creating it, is a rare kind of pleasure. It belongs to a ‘perpetual’ body of work—my Shapepile Paintings—a series that still pulses occasionally through my street work. Just this past summer, I painted a pretty big Shapepile mural in Colorado.”
“One thing is clear: my long romance with flatness is still strong. Not everything I make today clings to it, but there’s an undeniable pull—the seductive minimalism of crisp forms, tight palettes, and the refusal to fake depth where it isn’t needed. Seeing this painting now feels a bit like sharing a drink with an old flame—familiar, sultry, and playful. I’m so happy to see it again.” / The Lost Object (2025)
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