The exhibition Pixação: Resistance and Rebellion will be on view from Friday, June 27 through Sunday, August 31 in the Groundwork Space at STRAAT Museum. The exhibition is accessible with a regular admission ticket.
Pixação emerged in Brazil as a form of popular expression in the early 20th century, but it developed into a youth movement from the urban peripheries in the late 1970s in Rio de Janeiro. By the early 1980s, it had spread to São Paulo, where it took on its distinctive form: monochromatic, straight, angular lettering. This style became a distinctive hallmark within the world of street art—not so much an act of vandalism as a visceral assertion of presence by marginalized youth. Through daring methods such as climbing and rappelling, pixadores turned the city’s architecture into a battleground for symbolic resistance.
Pixação: Resistance and Rebellion traces the movement’s evolution across three phases: emergence, confrontation, and innovation.
LIXOMANIA!zé’s global tags embody its roots (1984–2006), embedding a resistant spirit within Brazil’s urban fabric and beyond. Cripta Djan’s biennale disruptions mark its confrontational peak (2008–2012), merging street rebellion with artistic discourse. Eneri’s feminist rappelling heralds a new generation (2015–present), redefining pixação as socio-political critique and empowerment.
Through these artists, complemented by archival materials, the exhibition unveils pixação’s dual identity as protest and aesthetic practice, inviting reflection on art, authorship, and urban agency. Social structures such as grifes (alliances of pixador groups), points (meeting places), and folhinhas (signature sheets exchanged among pixadores) underscore its communal and competitive ethos, framing the movement’s cultural significance.